Kala Soudha, what next?

Caution Long Post...

PS: These are the trhee Indian Beach trees (ಹೊಂಗೆ ಮರ) planted outside Kala Soudha by me for shadow at the foyre for peopel to sit and relax during day time. Well the post clearly is not about it.

First it was Ravindra Kalakshetra, where even after prolonged protests plus assurances nothing yet has happend. Secondly Town Hall where the rent was reduced to 80K rom whooping 1.5 Lakhs & still no takers. Third wicket was Kala Soudha & Fourth Nrityagram, finally now NSD premice at Guru Nanak Bhavan.

One thing common in all these cases, Government has overruled Arts, taken all artists for a lovely ride and left us high and dry.

I can speak very well for Kala Soudha, remaining cases can be googled, well it all starts as a moment gets media momentum and dies with promises from the Government/Authority side. Same happened to Kala Soudha too, I am not sure of getting the place to run again, hopeful that who ever gets it will do justice & run the place at affordable cost & for the interest of theatre.

OK now to the question, we all know that there are many such instances where artists are conned by authorities, now we know that our hue and cry is like banging our head against a boulder. Should we continue getting fooled like this or start something afresh? Why dont we try sculpting the same boulder or find another way around. We all have example of Ranga Shankara whcih can be followed. I want to try something similar right now. I do not want to give up my cause for Theatre, I want to reinvent the wheel, yes it will take time & money plus a lot of efforts, but what the heck, it is better than saying "I GIVE UP"....

Requesting all your support.... like always...

Comments

ಸಂವಿ ಹೇಳಿಕೊಟ್ಟ ಪಾಠಗಳು | Tribute to Sanchari Vijay

ಸಂಚಾರಿ ವಿಜಯ್ ಸಂಸ್ಮರಣಾ ಕಾರ್ಯಕ್ರಮ, ಚಲನಚಿತ್ರೋತ್ಸವ, ನಾಟಕೋತ್ಸವ ಸೆಪ್ಟಂಬರ್ 29, 30 ಮತ್ತು ಅಕ್ಟೋಬರ್ 1, 2022 ರಂದು ಕುವೆಂಪು ಕಲಾಮಂದಿರ ಚಿಕ್ಕಮಗಳೂರಿನಲ್ಲಿ ನಡೆದಿತ್ತು, ಆ ಕಾರ್ಯಕ್ರಮದಲ್ಲಿ ಪ್ರಕಟವಾದ ಸ್ಮ್ರತಿ ಸರಣಿಗಾಗಿ ಬರೆದ ಲೇಖನ. ಸಂವಿ ಹೇಳಿಕೊಟ್ಟ ಪಾಠಗಳು ಸಂವಿ ಅಂದರೆ ಸಂವಿಧಾನ ಅಲ್ಲ, ಅದು ನಮ್ಮ ಸಂಚಾರಿ ವಿಜಯ್ಗೆ ನಾನು ಇಟ್ಟ ಹೆಸರು. ಸಂವಿ ವಿಧಾನಗಳು ಬಲು ಅಪರೂಪ. ನನ್ನ ಜೊತೆಯ ಒಡನಾಟ ಬಲು ಕಡಿಮೆ ಎನ್ನಬಹುದು ಕೆಲವೇ ವರ್ಷಗಳ ಪರಿಚಯವಾದರೂ ಬಾಲ್ಯ ಸ್ನೇಹಿತ ಅನ್ನೋ ಅಷ್ಟು ಆಪ್ತ. ನಮ್ಮ ಜೊತೆ ನಮ್ಮವನಾಗಿ ಇರೋ ಈ ವಿಜಯ್ ಎಲ್ಲರಿಗೂ ಮಾದರಿಯಾಗಿದ್ದ. ನಮ್ಮ ತಂಡದ ಜೊತೆಗೆ ನಾಟಕ ಮಾಡಿದಾಗ ಸಾರ್ ನನಗೆ culture shock ಆಗಿದೆ ಅಂದ. ಏಕೆ ಎಂದರೆ ನಮ್ಮ ನಾಟಕದ ಸಂಭ್ರಮ ನಾಟಕ ಸ್ಟೇಜ್ ಮೇಲೆ ತರೋದು ಒಂದೇ ಅಲ್ಲ, ರಿಹರ್ಸಲ್ ನಲ್ಲಿ ನಡೆಯೋ ಫೈನ್ ಕಲೆಕ್ಷನ್ ಮತ್ತೆ ಬೊಂಡಾ ಬಜ್ಜಿಗಳು, ಕಾಸ್ಟ್ ಪಾರ್ಟಿಗಳು, ರಸ ಸಂಜೆಗಳು, ಇದೆಲ್ಲಾ ಏನ್ ಸಾರ್ ಅಂತ ಆಶ್ಚರ್ಯದಿಂದ ನೋಡುತ್ತಿದ್ದ. ಎಲ್ಲವನ್ನೂ ಒಂದೇ ತರಹ, ಎಲ್ಲರನ್ನೂ ಒಂದೇ ತರಹ ನೋಡುತ್ತಿದ್ದ ಸಂವಿ ನಮಗೆ ಕಲಿಸಿದ ಮೊದಲ ಪಾಠ. ಕಲಾ ಸೌಧದ ಹೊರಗಿನ ಪೌರಕಾರ್ಮಿಕರಿಂದ, ಸಿಕ್ಕಾಪಟ್ಟೆ ಫೇಮಸ್ ಆದ ನಟರಜೊತೆ ಅದೇ ಆದರ, ವಿನಯದಿಂದ ಮಾತಾಡುತ್ತಿದ್ದ. ಒಮ್ಮೆ ನಮ್ಮ ಸಿಬ್ಬಂದಿ ಯಾರದ್ದೋ ಜೊತೆ ಜಗಳ ಮಾಡಿಕೊಂಡಾಗ ಎಲ್ಲಿಂದಲೋ ಬಂದ ಅಜಾತ ಶತ್ರು ಸಂವಿ ಇಬ್ಬರಿಗೂ ಸಮಾಧಾನ ...

I The Revenant!! (I live to tell the tale)

I really have no idea what to title this, tryst with destiny, final minutes, death at doorstep, light after darkness, reincarnation, second life, how I cheated death, My Life = 1300 Rs, I The Revenant, Sea rescue... But I am sure why I am writing this, I do not want to forget anything which happened on this day. It was early hours of Sunday, December 18, 2016, day after we had Mahpeede Mahablu show in Baindur. We wanted to go to the beach till sun rises, come back get ready and leave to Bangalore at any cost before 10 AM after breakfast at 9 AM. So we slept late, since we were in the same beach till 11 PM. We went in at around 6.30 AM and tried to get into the sea at point 2 in the image below. Later we realised that the current here is too much of the Sumana or Baindur river, force of the river was enough to make the sea water less salty. This is clear sign that the current is super strong. Looking for a suitable location, we moved to location...

My Article on Kannada Theatre Scene

Kannada Theatre Scene Ninth Century AD: King Nrupatunga wrote Kavirajamarga in the matured script of Kannada. It is the first recognised literary work by any author in Kannada history. Being a set of poems it was recited to people at numerous literary gatherings. Hence, we could also categorise it as the first script in Kannada literature. Kannada theatre has seen a huge wave of changes from the times of Jaina Works, Vachana Literature, Dasa Sahitya till today's Modern Kannada. When you go to the new look Ravindra Kalakshetra with improved interiors and exteriors and interact with the Kannada theatre activists, you get the same look and feel, as it was many years back. You still get to see the old scripts, which are, staged every week and meetings/readings going on in the Samsa Open Theatre. However, when you ask them the question of this article "what happened to the new age writers, why are we going back to the age of Shakespeare or of Karnard?" Everyone unanimously a...

PD Ponders

Search This Blog